Cloud Atlas
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Pro ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() | ![]() Now that the election is behind us, let's focus on more useful things - Movies! Mrs. gearboy and I watched it this weekend. We listened to the audiobook first (19 whopping hours long!). Without that, I think we would have spent the first half hour completely lost as to what was happening (so I'm wondering if anyone saw the movie without reading the book, and could follow the story lines). The book was structured as a 19th century shipboard memoir within a series of muscician's letters within a 1970's corporate thriller book within a nursing home breakout caper movie within future dystopian "corpacracy history" recorded in an archive within a story told by a distant postapocalyptic future goat herder. It would have been impossible to film as written, since the stories each end half way through, then pick up one after another to finish. As a nearly 3 hour movie, that would have meant following a story for 90 minutes and then starting ANOTHER movie. But they decided to interleave each scene, with common thematic elements connecting each story (along with the same group of actors in different roles and degrees of importance in the stories). Although they changed what I thought was the essential message of the book, I thought it worked nicely as an adjunct to the book. At times, trying to figure out who was acting under all the latex was a bit distracting. Hugo Weaving was always a bad guy, though. I heard one reviewer say that between this and the Matrix movies, it seems the Wachowskis want everyone in history to be afraid of him. Like I said, the stories are quite diverse, and the book is really rather amazing, with very different styles that each stand on their own, and some common themes. The movie seems like it would be hard to stand alone, without knowing in advance how it works. Although, perhaps like Inception or Memento, watching it a couple of times would help it make more sense? It only got 63% on Rotten Tomatoes, but I think that's because critics either found it too confusing, or were ranking it as a standalone piece of art, which I think does make it weaker. Anyone else catch it or read the book? |
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Master ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() | ![]() This is high on my list to see, but I think I will watch it at home where I can pause it. Not sure the Mrs would enjoy 3hrs in a theater either. I've read enough background to sort of know the multiple stories being interwoven so at least that won't be so confusing. Did you like the book a lot better?
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Champion ![]() ![]() ![]() ![]() | ![]() I am on the waiting list for the audiobook and hope to see the movie while it's in theater, whether I've gotten the book or not yet. I got interested in it after reading an article in recent New Yorker called "Beyond the Matrix". Check it out if you're interested in the directors: http://www.newyorker.com/reporting/2012/09/10/120910fa_fact_hemon |
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Champion ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() | ![]() I wasn't aware of this at all until this morning when it was mentioned on a podcast I listen to. I definitely want to see it and the book is now on my short entertainment reading list. |
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Pro ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() | ![]() Khyron - 2012-11-07 10:45 AM This is high on my list to see, but I think I will watch it at home where I can pause it. Not sure the Mrs would enjoy 3hrs in a theater either. I've read enough background to sort of know the multiple stories being interwoven so at least that won't be so confusing. Did you like the book a lot better?
I think they are more complementary rather than being, say, a movie of a book. I prefered what I read as the themes of the book more, since the trajectory seemed more plausible. In fact, in the second story (1930's letters), a character makes an observation about the nature of war and humanity that foreshadows WWII but also articulates what I read as a major theme of the book. The movie does what a most American films do, and have a redemption that was not present in the source material (think of the French versus American versions of La Femme Nikita or the Dutch versus American versions of The Vanishing). I tend to prefer movies that end more darkly, or at least more ambiguously. |
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Champion ![]() ![]() ![]() ![]() | ![]() In the article they talk about how they had to adapt the book for the movie and basically take it all apart and put it back together for it to make sense in the time allotted for a movie. So yes, it's definitely more about the "theme" of the book than the book itself. They also worked with the author and he was apparently cool with the way it was sorted out. |
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